What is the meaning of "Ceilings" by way of Lizzy McAlpine? We'll unpack the message that the singer conveyed thru the observe. Fans cannot get enough.
Over the final five years or so, Lizzy McAlpine has been a regularly rising superstar in the worlds of people, folk pop, and indie people. Her 2020 debut studio album "Give Me a Minute" temporarily changed into a fan favorite. On April 8, 2022, Lizzy followed up her outstanding debut along with her 2d album, "Five Seconds Flat," which contained the hit monitor "Ceilings," a song that has gone on to develop into Lizzy's maximum streamed on Spotify.
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With all of that being mentioned, what exactly is the meaning of Lizzy's "Ceilings"? Keep studying for a breakdown of the song's lyrics.
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The acoustic guitar-backed "Ceilings" sees Lizzy entering almost a daydream-like state reflecting on love and all of the little moments that make it profitable. In its opening lines: "Ceilings, plaster / Can’t you just make it move faster?" Lizzy is implying that time is slowly passing for her, such a lot in order that she notices the little details of the room she's in.
The singer then strikes to speaking about love. This is largely conveyed thru metaphors similar to "My shoes are now full of water. Lovely to be rained on with you." Naturally, the sensation of drenched sneakers is a long way from ideal, but Lizzy rationalizes it by how good being with her lover makes her really feel.
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Lizzy is then faced with a catch 22 situation: "Then you’re driving me home. And I don’t want to leave. But I have to go." She's torn between her need to stay with her lover and her obligation to go away. After kissing her lover, she sings, "And it feels like a movie I’ve seen before."
Her second verse refers again to the song's opening strains, hyper-analyzing the little moments in bed along with her lover, making a song, "Bed sheets, no clothes / Touch me like nobody else does / Lovely to just lay here with you."
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All-in-all, the singer turns out to worry shedding this deeply profound love. She bites her tongue when it comes to sharing her true emotions with her lover, singing, "You're kinda cute and I would say all of this / But I don't wanna ruin the moment." She then reflects on how the state of affairs, to her, is "Lovely to sit between comfort and chaos."
After repeating the previous lyrics about using home and kissing, Lizzy closes out the song with the words, "But it's not real / And you don't exist / And I can't recall the last time I was kissed / It hits me in the car / And it feels like the end of a movie I've seen before." A depressing ending to the monitor, but person who turns out to give an explanation for that Lizzy could have just imagined the whole love affair after all.
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